{"title":"All","description":"","products":[{"product_id":"mathieu-kassovitz-la-haine-couleur","title":"La Haine (Screenplay)","description":"\u003cp data-end=\"445\" data-start=\"61\"\u003eThis book is a facsimile of the script, illustrated with color images, from the film \u003cem data-end=\"156\" data-start=\"146\"\u003eLa Haine\u003c\/em\u003e, released in 1995 and a landmark for an entire generation. A deeply emotional document, it includes around fifty color Polaroids—portraits of the actors used for continuity between scenes—that capture the unique atmosphere of the crew working on location, along with a storyboard excerpt.\u003c\/p\u003e\n\u003cp data-end=\"599\" data-start=\"447\"\u003eThe script supervisor’s annotations add a layer of intimacy to the filmmaking process, allowing readers to step inside the production team’s world.\u003c\/p\u003e\n\u003cp data-end=\"781\" data-start=\"601\"\u003eThis legendary collector’s edition, with a foreword by none other than JR, finally reveals—among other things—the true golden color of the Sergio Tacchini tracksuit worn by Saïd...\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50991661383944,"sku":"SKU-JR-LAHAINE-39","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_mathieukassovitz_lahainecouleur_main.png?v=1748103927"},{"product_id":"la-haine-gilles-favier-mathieu-kassovitz","title":"La Haine, jusqu'ici tout va bien","description":"\u003cp data-end=\"519\" data-start=\"79\"\u003eIn the fall of 1994, Gilles Favier photographed freely around the filming of \u003cem data-end=\"166\" data-start=\"156\"\u003eLa Haine\u003c\/em\u003e. Approached a few weeks earlier by Mathieu Kassovitz, he had come to document the film’s setting. Sensing that the nature of the shoot—particularly the casting of local residents from the housing project as extras—was significant, he returned every day during the eight weeks of production to photograph both the filming itself and how it was received.\u003c\/p\u003e\n\u003cp data-end=\"634\" data-start=\"521\"\u003eIn May 1995, the film was released and quickly rose to the top of the box office, drawing over 2 million viewers.\u003c\/p\u003e\n\u003cp data-end=\"877\" data-start=\"636\"\u003eTwenty-five years later, at the request of Mathieu Kassovitz, Gilles Favier unearthed his 220 rolls of film. Vincent Perrottet used them to create an anniversary book for a film that refuses to age—one that continues to echo the present day.\u003c\/p\u003e\n\u003cp data-end=\"1078\" data-start=\"884\"\u003eHUBERT – You know the story of the guy who falls from a 50-story building? As he falls, floor by floor, he keeps saying to reassure himself: “So far so good, so far so good, so far so good…”\u003c\/p\u003e\n\u003cp data-end=\"1125\" data-start=\"1080\"\u003eVINZ – I knew that one, but with a rabbi.\u003c\/p\u003e\n\u003cp data-end=\"1241\" data-start=\"1127\"\u003eHUBERT – The problem isn't the fall… it's the landing. It’s like us in the projects—for now, so far so good...\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992410820872,"sku":"SKU-FAVIER-LAHAINE-39","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_mathieukassovitz_lahainenb_main.png?v=1748103888"},{"product_id":"flore-les-reveries-de-lavinia-signe","title":"Les rêveries de Lavinia","description":"\u003cp data-end=\"650\" data-start=\"195\"\u003eLavinia: this Italian-sounding name of Latin origin evokes, on its own, a poetic world, filled with the scents of citrus and honey. With this series, FLORE takes us on a journey reminiscent of a \u003cem data-end=\"406\" data-start=\"394\"\u003eGrand Tour\u003c\/em\u003e through Italy, much like the one undertaken by Romantic artists of the 19th century. The technique she uses—the soft focus, the grain of the images, their coloration reminiscent of autochromes—all contributes to a sense of travel through time.\u003cbr\u003e\u003cbr\u003eAs always in FLORE’s work, each of her series is rooted in a part of herself, as if it were connected to a greater, older story—as if she had inherited the memories of others and sought to make them come alive for us. Once again, there is something deeply personal here: while clearing out her aunt’s house, she discovered a bundle of letters—traces of a long friendship between her aunt and an Italian woman named Lavinia.\u003cbr\u003e\u003cbr\u003eHaunted by this correspondence, FLORE has been journeying through Italy for the past ten years. \u003cem data-end=\"1198\" data-start=\"1173\"\u003eLes rêveries de Lavinia\u003c\/em\u003e is both an inner and initiatory voyage, leading us from the Amalfi Coast to Sicily, through Florence, Rome, Naples, Milan, Turin, Venice, and Lake Maggiore. Steeped in melancholy and suspended in time, the photographs awaken the imagination, telling the timeless story of a passionate love, composed of wanderings through Renaissance palaces and their gardens. Classical sculptures embody lovers, while the journey is punctuated by radiant landscapes and delicate still lifes.\u003cbr\u003e\u003cbr\u003eThese perspectives, conducive to introspection, are heightened by the sensual details of gestures and emotions frozen in marble, awakening all our senses: we feel the smoothness of stone, the coolness of the \u003cem data-end=\"1896\" data-start=\"1885\"\u003eAqua Alta\u003c\/em\u003e, the sweetness of grapes, and the scent of lemon; we hear the birdsong and the rustle of linen; we sense the caress of a hand and the warmth of the sun on a summer morning.\u003cbr\u003e\u003cbr\u003eEach photograph sets the aesthetic of the sublime against emotion, in the grand tradition of Romantic art. And as if to broaden the spectrum of sensations, the materials used vary: stone and silk sometimes replace paper, creating a coherent whole where elements follow, echo, and interlock like pieces of a puzzle. Altogether, they form a story made up of fleeting yet eternal moments, which the photographer captures and offers us as one offers their heart. \u003cbr\u003eEmmanuelle de L’Ecotais\u003cbr\u003e\u003cem data-end=\"2558\" data-start=\"2533\"\u003e\u003cbr\u003e\u003c\/em\u003eA French-Spanish photographic artist, FLORE was born in 1963. She currently lives and works between her two studios, in Paris and in the Hauts-de-France region.\u003cbr\u003e\u003cbr\u003eWinner of the 2018 Marc Ladreit de Lacharrière Photography Award in partnership with the Académie des Beaux-Arts, FLORE works over long periods, often while traveling. Her work has been acquired and exhibited by several institutions, including the Petit Palais Museum, the Bibliothèque nationale de France, the MMP+ in Marrakech, and the Rivesaltes Memorial.\u003cbr\u003e\u003cbr\u003eThrough refined technical interventions in the darkroom—an alchemist in her own right—FLORE both shapes and reveals the world as it unfolds before her eyes, creating unique images that drift away from conventional photographic reality and form a seamless fusion between substance and form.\u003cbr\u003e\u003cbr\u003eShe thus questions the photographic medium itself, moving effortlessly between the oldest processes—such as platinum-palladium or cyanotype—and the most contemporary techniques, sometimes combining them, or physically altering her prints with wax, gold, or pigments. FLORE is deeply committed to a search for memory, creating images that attempt to restore truth in the place of a reality that is slowly fading.\u003cbr\u003e\u003cbr\u003eFar from nostalgia, her work—tinged with melancholy—challenges the status of the image in our contemporary societies, offering instead an alternative to the world's turmoil by inviting the viewer to step into her poetic universe.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992439918856,"sku":"SKU-FLORE-LAVINIA-39","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_FLORE_lavinia_main.png?v=1748103827"},{"product_id":"lodeur-de-la-nuit-etait-celle-du-jasmin-flore","title":"L'Odeur de la nuit était celle du jasmin ","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eL’odeur de la nuit était celle du jasmin\u003c\/em\u003e continues the exploration begun in FLORE’s earlier book, \u003cem data-start=\"226\" data-end=\"247\" data-mce-fragment=\"1\"\u003eLointains souvenirs\u003c\/em\u003e (Éditions Contrejour, 2016), which reflected on Marguerite Duras’s youth in Indochina. In this new project, the artist draws on her childhood memories and the stories of her grandparents, who lived during the same period and in the same places as the writer. These stories now nourish what she experiences as a shared imaginative space with Duras.\u003cbr\u003e\u003cbr\u003eShort excerpts from Marguerite Duras’s texts punctuate the black-and-white photographs toned with tea, creating a literary counterpoint.\u003cbr data-start=\"734\" data-end=\"737\" data-mce-fragment=\"1\"\u003e Through this technique and her sensitive approach, FLORE both shapes and captures the world unfolding before her eyes, producing images that question the fragility of memory and photography’s ability to create a truth stronger than reality itself.\u003cbr\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992474390792,"sku":"SKU-FLORE-JASMIN45","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_FLORE_lodeurdelanuit_main.png?v=1748103787"},{"product_id":"conversation-avec-christian-caujolle-flore","title":"FLORE Conversation with Christian Caujolle","description":"\u003cmeta charset=\"utf-8\"\u003eIn this beautiful interview book, enriched with iconic images and family archives, the artist FLORE reveals herself with rare sincerity. The full richness of her aesthetic is conveyed here, based on the personal memory of an elsewhere that oscillates between fiction and family myths. \u003cbr\u003e\u003cbr\u003eMore than geographic spaces, Morocco, the Mediterranean basin, or the banks of the Mekong are for the artist places conducive to poetic imagination and intimate storytelling. Her photographs, made unique by singular laboratory processes, bear the mark of time passed, thanks to work on patina and the dissolution of the image.","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992581673224,"sku":"SKU-CONVERSATION-FLORE-32","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_FLORE_conversations_main.png?v=1748103748"},{"product_id":"portraits-collection-florence-et-damien-bachelot","title":"Portraits |  Florence and Damien Bachelot collection at the Réattu museum","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-start=\"122\" data-end=\"571\" data-mce-fragment=\"1\"\u003ePortraiture is one of the guiding threads of this\u0026nbsp;collection:\u0026nbsp;\"The essence of our collection is the human being. This was not a deliberate choice, but rather the result of observing our selections over time. In this spirit, it is only natural that portraiture should be one of the cornerstones of the collection—featuring images of individuals or groups, but also, more broadly, photographs that reflect human situations.\", Damien Bachelot\u003cbr\u003e\u003cbr\u003eAs a faithful or distorted mirror of reality, portraiture reveals the wide range of perspectives photographers bring to their subjects. Through the body, facial features, or gaze, they seek to explore the intricate workings of the human mind. As a genre, portraiture challenges the traditional roles historically assigned to photography—identifying, recognizing, cataloguing, classifying—and sheds light, across time, on the sociological, political, religious, or cultural contexts of our societies.\u003cbr\u003e\u003cbr\u003eThis publication, with a foreword by Patrick de Carolis, Françoise Docquiert, and Andy Neyrotti, was co-published by Maison CF and the Réattu Museum in Arles, France.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992593010952,"sku":"SKU-PORTRAITS-BACHELOT-42","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_bachelot_portraits_main.png?v=1748103715"},{"product_id":"wax-stories-fondation-zinsou","title":"Wax Stories | Zinsou Foundation","description":"\u003cp\u003eFor this new release, Maison CF presents an original project that goes beyond the field of photography to explore the history of Wax. This traditional fabric, which emerged on the African continent in the 19th century, features motifs both abstract and figurative in flamboyant colors—and is now coveted around the world. What’s less well known is that each design carries a specific message, which is shared here through its many variations.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in the form of a beautiful book and conceived as a unique kind of encyclopedia, \u003c\/span\u003e\u003cem data-end=\"803\" data-start=\"790\"\u003eWax Stories\u003c\/em\u003e\u003cspan\u003e brings together a wide collection\u0026nbsp;of fabrics and deciphers their meanings across various chapters—ranging from love and daily life to nature and animals. The book was conceived and prefaced by Marie-Cécile Zinsou, founder of the Zinsou Foundation in Benin, along with Gabin Djimasse and Sophie Douay, who played a key role in collecting and transcribing the iconography of these wax prints.\u003cbr\u003e\u003cbr\u003eA work in its own right, \u003cem data-end=\"1231\" data-start=\"1218\"\u003eWax Stories\u003c\/em\u003e comes in four distinct versions, each reflecting the powerful aesthetic of these textiles, which in recent years have made their way into the world of contemporary creation—from fashion to design to the decorative arts.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison CF \/ Fondation Zinsou","offers":[{"title":"Red and gold (swallows)","offer_id":51610904166664,"sku":"SKU-WAX-STORIES-JAUNE-ZINSOU-40","price":40.0,"currency_code":"EUR","in_stock":true},{"title":"Red and blue (hibiscus flowers)","offer_id":51610904199432,"sku":"SKU-WAX-STORIESBLEU-ZINSOU-41","price":40.0,"currency_code":"EUR","in_stock":true},{"title":"Green and pink (hibiscus flowers)","offer_id":51610904232200,"sku":"SKU-WAX-STORIESVERT-ZINSOU-42","price":40.0,"currency_code":"EUR","in_stock":true},{"title":"Blue and yellow (swallows)","offer_id":51610904264968,"sku":"SKU-WAX-STORIESJAUNE-ZINSOU-43","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_waxstories_main_01.png?v=1748103654"},{"product_id":"voir-le-temps-en-couleurs-les-defis-de-la-photographie-sam-stourdze-catalogue-de-l-exposition-au-centre-pompidou-metz","title":"Voir le temps en couleurs. Les défis de la photographie | Centre Pompidou-Metz exhibition catalogue","description":"\u003cp data-end=\"600\" data-start=\"66\"\u003e\u003cem\u003eVoir le temps en couleurs\u003c\/em\u003e invites a reexamination of the history of photography through the lens of its greatest technical challenges, from its invention in the heart of the 19th century to the present day. Through three chapters — \u003cem data-end=\"311\" data-start=\"299\"\u003eRevelation\u003c\/em\u003e, \u003cem data-end=\"326\" data-start=\"313\"\u003eThe Instant\u003c\/em\u003e, and \u003cem data-end=\"339\" data-start=\"332\"\u003eColor\u003c\/em\u003e — the exhibition brings together around one hundred works that have left a lasting mark on the medium’s history, from the invention of the \u003cem data-end=\"495\" data-start=\"479\"\u003ecamera obscura\u003c\/em\u003e, the first form of reproduced image, to contemporary manipulations of light fixed on sensitive surfaces.\u003c\/p\u003e\n\u003cp data-end=\"875\" data-start=\"602\"\u003eIn a unique temporal interplay, the exhibition highlights four major figures in photography: Constantin Brancusi, Harold Edgerton, Saul Leiter, and Helen Levitt — all driven by the same idea: that making an image begins with mastering the material challenges of its medium.\u003c\/p\u003e\n\u003cp data-end=\"1276\" data-start=\"877\"\u003eThis book is published on the occasion of the eponymous exhibition presented at the Centre Pompidou-Metz from July 13 to November 18, 2024. The preface is written by Laurent Le Bon and Chiara Parisi, respectively President and Director of the Centre Pompidou-Metz. The book also includes an interview with Sam Stourdzé conducted by Christine Coste, originally published in \u003cem data-end=\"1257\" data-start=\"1250\"\u003eL’Œil\u003c\/em\u003e in September 2024.\u003c\/p\u003e\n\u003cp data-end=\"1781\" data-start=\"1278\"\u003eBorn in 1973, Sam Stourdzé is a specialist in contemporary imagery and in the relationships between art, photography, and cinema. He has curated numerous exhibitions and authored several key publications. After directing the Musée de l’Élysée in Lausanne from 2010 to 2014, he took over the Rencontres d’Arles festival, where for six years he worked to break down boundaries in photography by fostering dialogue with other disciplines. In 2020, he was appointed director of the Villa Medici in Rome.\u003c\/p\u003e","brand":"Maison CF \/ Centre Pompidou-Metz","offers":[{"title":"Default Title","offer_id":50992680141064,"sku":"SKU-STOURZE-VOIRLETEMPS-35","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_samstourdze_voirletempsencouleur_main.png?v=1748103620"},{"product_id":"jr-paris-jr","title":"JR-PARIS","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-start=\"152\" data-end=\"418\"\u003eMaison CF Editions and JR renew their collaboration with the publication of the first volume in a new series dedicated to the artist’s work in cities around the world. Designed by Studio Agnès Dahan, the collection\u0026nbsp;will be published at rate of\u0026nbsp;one to three volumes per year.\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eTimed to coincide with JR’s latest Paris project—on the façade of the Opéra Garnier in the fall of 2023—this inaugural volume showcases the artist’s monumental and participatory works created in the French capital since 2009. This large-format book gives pride of place to imagery and features a unique text by Daniel Pennac, offering his personal perspective.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eThe edition brings together JR’s major architectural collage projects in Paris, presented in a beautifully designed book. \u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThese photographic installations engage with the city’s iconic monuments, from the illusionary disappearance and simulated excavation of the Louvre Pyramid, to the transformation of the façades of the Panthéon and the Opéra Garnier, the banks of Île Saint-Louis, and the Eiffel Tower\u003c\/span\u003e. Each of these urban interventions reflects a direct collaboration with the public—both as co-authors and as spectators.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":51780016668936,"sku":"SKU-JR-PARISARGENT-45","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_jr_paris_main_f57c084b-18bd-4da8-aeab-3d841b1ebd31.png?v=1748103481"},{"product_id":"united-kingdom-l-martin-parr","title":"United Kingdom","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-end=\"509\" data-start=\"102\"\u003eThe \u003cem data-end=\"119\" data-start=\"106\"\u003eFashion Eye\u003c\/em\u003e collection by Louis Vuitton, inspired by the culture of travel, offers a unique perspective on a country, region, or city through the lens of renowned photographers. Each book in the series presents an immersive visual exploration of a destination—an aesthetic photographic journey that leaves a lasting impression. This volume, dedicated to the United Kingdom, was created by Martin Parr.\u003cbr\u003e\u003cbr\u003eHe also contributed a postscript to the book, as did Patrick Rémy, a photography critic and curator known for organizing numerous exhibitions devoted to fashion photography.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992698360072,"sku":"SKU-PARR-UK-55","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_martinparr_unitedkingdom_main.png?v=1748103442"},{"product_id":"early-works-i-martin-parr","title":"Early Works ","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMartin Parr was born in 1952 in Epsom, UK. As a child, his budding interest in photography was encouraged by his grandfather, himself an amateur photographer. He then studied photography at Manchester Polytechnic from 1970 to 1973. Since then, Martin Parr has worked on numerous photographic projects. He has left his mark on European visual culture, gradually establishing himself as a major international figure thanks to his innovative imagery and oblique approach to social documentary.\u003cbr\u003e\u003cbr\u003eIn his series, Martin Parr questions the absurd banality of our daily lives, the vanity of contemporary consumer societies and the multiplication of flows and exchanges in a globalized world. His work is based on a recognizable visual style: with their bold composition and bright colors, lit with flash, his photographs are immediately identifiable. Today, Martin Parr’s images circulate throughout the world and show a desire to capture the world as it is, without filters, while mixing humor and social criticism through this typically English irony.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992719823112,"sku":"SKU-PARR-EARLYWORKS-55","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_martinparr_earlyworks_main.png?v=1748103399"},{"product_id":"james-barnor-stories-le-portfolio-1947-1987-catalogue-de-l-exposition-luma","title":"Stories. Le Portfolio 1947-1987 | LUMA exhibition catalog","description":"\u003cp\u003eIn parallel with the exhibition James Barnor: \u003cem\u003eStories\u003c\/em\u003e. \u003cem\u003ePictures from the Archive\u003c\/em\u003e (1947-1987), presented in 2022 at the LUMA Foundation as part of the Rencontres d’Arles festival, the book offers a kaleidoscopic overview of the Ghanaian photographer’s oeuvre. From Accra to London and back, from the end of the colonial era to the early 1980s, from studio portraits to press commissions, the reader gains an insight into the process behind Barnor’s best-known images while exploring more personal aspects of this exceptional archive.\u003cbr\u003e\u003cbr\u003eThis exhibition is the first retrospective in France devoted to a photographer who continues, as he approaches the age of 96, to inspire generations of contemporary artists, and whose work is now included in the most prestigious international collections. \u0026nbsp;\u003cbr\u003e\u003cbr\u003eJames Barnor (born 1929) opened his first photography studio in Accra, Ghana, in 1949. \u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHe also worked for the press, documenting through his photographs the movement that led to the country’s independence in 1957\u003c\/span\u003e. Living in the United Kingdom from 1959 to 1969, he documented the experience of the diaspora in the “Swinging London” of the sixties. He branched out to color photography, and returned to Ghana in 1970 to cultivate the use of the technique. In 2021 he was honored with a large-scale retrospective at the Serpentine Gallery in London. \u0026nbsp;\u003cbr\u003e\u003cbr\u003eTexts by : Damarice Amao, Matthieu Humery, Margaux Lavernhe, Bianca Manu, Hans Ulrich Obrist, Isabella Seniuta\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePhotographs by : James Barnor,\u003c\/span\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cspan\u003eDelali Cofie,\u003c\/span\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cspan\u003eLiz Johnson Artur,\u003c\/span\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cspan\u003eLebohang Kganye, \u003c\/span\u003e\u003cspan\u003eTyler Mitchell,\u003c\/span\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cspan\u003eSilvia Rosi, \u003c\/span\u003e\u003cspan\u003eStephen Tayo\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison CF \/ RRB Photobooks","offers":[{"title":"FRA - Français","offer_id":51759662629128,"sku":"SKU-BARNOR-STORIES-45-FR","price":45.0,"currency_code":"EUR","in_stock":true},{"title":"ENG - Anglais","offer_id":51759662661896,"sku":"SKU-BARNOR-STORIES-45-ENG","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_jamesbarnor_stories_main.png?v=1748103362"},{"product_id":"the-roadmaker-james-barnor","title":"The Roadmaker","description":"This book aims to shed light—through a corpus of images taken between the 1950s and 1980s in both England and Ghana—on the work of a photographer who documented the transformations of two societies during his time. With a foreword by photography historian Damarice Amao, the volume offers a comprehensive exploration of Barnor’s photographic oeuvre and provides insight into the concept of Afro-modernity.\u003cbr\u003e\u003cbr\u003eDamarice Amao, who holds a PhD in art history, is an assistant curator in the Photography Department at the MNAM–Centre Pompidou. She co-curated the exhibitions \"Eli Lotar\" (Jeu de Paume, 2017), \"Photography: A Weapon of Class\" (Centre Pompidou, 2018), and \"Dora Maar\" (2019), and co-edited the accompanying catalogues. In 2020, she was awarded the curatorial grant from the Rencontres d’Arles for her project \"Ghana: Portraits. Documenting the Years of Independence\". \u0026nbsp;The Book: Portraiture and documentary photography are two central pillars of James Barnor’s work. This publication highlights these aspects, offering a fresh perspective on his contribution to visual culture and the evolving narratives of modernity in postcolonial contexts.","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992763568392,"sku":"SKU-BARNOR-ROADMAKER-40","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_jamesbarnor_theroadmaker_main_copie.png?v=1749045686"},{"product_id":"serpentine-exhibition-catalogue-james-barnor","title":"Accra-London | Serpentine exhibition catalog","description":"\u003cp\u003eOn the occasion of the exhibition Serpentine is publishing a catalogue, Accra\/London – A Retrospective, with Koenig Books, which is co-produced with MASI Lugano and Detroit Institute of Arts.\u003cbr\u003e\u003cbr\u003eRichly illustrated and designed by Mark El-khatib, it includes contributions by head of the photographic collection at the Musée du quai Branly – Jacques Chirac in Paris, Christine Barthe; architect Sir David Adjaye OBE; artist David Hartt; curator Alicia Knock, and a personal recollection from former Drum magazine model, Erlin Ibreck, who worked with Barnor on numerous shoots during the 1960s in London. The catalogue also includes a conversation between Barnor and Serpentine Artistic Director Hans Ulrich Obrist.\u003cbr\u003e\u003cbr\u003eTexts by :\u0026nbsp;\u003cspan data-mce-fragment=\"1\"\u003eHans Ulrich Obrist, Bettina Korek, Tobia Bezzola, Nii Otokunor Quarcoopome, Nancy Watson Barr, Christine Barthe, Sir David Adjaye OBE, Erlin Ibreck, Alicia Knock, David Hartt\u003c\/span\u003e\u003c\/p\u003e","brand":"Serpentine Galleries \/ Koenig Books","offers":[{"title":"Default Title","offer_id":50992807543048,"sku":"SKU-BARNOR-SERPENTINE-30","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_jamesbarnor_accralondonaretrospective_main.png?v=1748103287"},{"product_id":"ever-young-james-barnor","title":"Ever Young ","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eBorn in Ghana in 1929, James Barnor opened his renowned Ever Young studio in Accra, where he immortalized a nation at the moment of its independence. He was one of the first photojournalists to collaborate with\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Daily Graphic\u003c\/i\u003e, a newspaper published in Ghana by London’s Daily Mirror Group.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eIn 1959, two years after Ghana’s independence, Barnor moved to London to deepen his technical knowledge of the medium. He discovered colour photography at the Medway College of Art and his pictures were published on the front page of\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDrum\u003c\/i\u003e, an important magazine founded in South Africa in 1951 and symbol of the anti-apartheid movement. He eloquently captured the spirit of Swinging London and the experiences of the African diaspora in the British capital.\u0026nbsp;\u003cbr\u003e\u003cbr\u003eIn the late 1960s, he was recruited by Agfa-Gevaert and returned to Ghana to set up the country’s first colour laboratory. He stayed there for the next twenty years, working in his new Studio X23 as a freelance photographer and for state agencies in Accra. \u003cbr\u003e\u003cbr\u003eToday, Barnor lives in the United Kingdom and devotes most of his time to his work, in a spirit of transmission.\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe preface of this work is signed by Renée Mussai, the afterword is written by Kobena Mercer, and the interview is conducted by Francis Hodgson and Margaret Busby.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992827007240,"sku":"SKU-BARNOR-EVERYOUNG-45","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_jamesbarnor_everyoung_main.png?v=1748103246"},{"product_id":"chew-stoke-martin-parr","title":"Chew Stoke","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eA Year in the Life of Chew Stoke Village\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003eis the culmination of a yearlong project in which Martin Parr immersed himself in the goings-on of a rural Somerset village on the outskirts of Bristol. At a time when house prices had fallen sharply across the country and young people were struggling to afford to stay in the village, the influx of newcomers had brought slight tensions across the community. However, during the colourful summer fete’s, the nights spent drinking at the local pub, and the many celebrations in between, Parr was able to build connections with the villagers, gaining access to all the village events over the year and an understanding of the people that live there.\u003cbr\u003e\u003cbr\u003eMartin Parr is one of the leading documentary photographers of our time. Often described as a ‘chronicler of life’, he is renowned for capturing his unique view of society in a way that enables us to view things that seemed familiar in a completely new way. His work in Chew Stoke is just that; at first glance it may seem to be just quintessential English village life, but Parr’s images bring a sense of ‘human-ness’ to those photographed that makes it easy to form an understanding and connection to the area and the community of Chew Stoke.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Robert Chesshyre and Diane Smyth\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992848044296,"sku":"SKU-MARTINPARR-CHEWSTOKE-55","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_martinparr_chewstoke_main.png?v=1748103208"},{"product_id":"un-autre-monde-juliette-agnel","title":"Un autre monde ","description":"\u003cdiv\u003eJuliette Agnel’s photographic work reveals the invisible presences that inhabit our world. Extreme landscapes in Greenland, the depths of a prehistoric cave and archeological sites in Sudan become points of passage from which telluric powers emerge. By making images of these terrestrial scenes, she puts us in relation with another world.\u003cbr\u003e\u003cbr\u003eJuliette Agnel, born in 1973, is a photographer trained in the visual arts and ethno-aesthetics, influenced by the work of Jean Rouch and the stories of Victor Segalen. After years of exploration in Africa, she developed an experimental photographic practice, combining blur and randomness to evoke human memory. Her encounter with the Bardenas desert in 2016 inspired \u003cem\u003eLes Nocturnes\u003c\/em\u003e, a celestial series exhibited at Rencontres d'Arles, extended by projects such as \u003cem\u003eLa lune noire\u003c\/em\u003e.\u0026nbsp;Her work, focused on the links between man and landscapes (Greenland, Sudanese necropolises, prehistoric caves), was awarded the Prix Niépce in 2023. In 2024,\u0026nbsp;her work will be shown at the BnF, the Jeu de Paume and the Fondation Van Gogh.\u003cbr\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eFor Juliette Agnel, art is about the relationship between the real and the invisible, about an absolute that transcends us and challenges us to question the foundations of our humanity. For her, it's a question of tirelessly pursuing the same quest by observing those forces that surround us but which we don't see: “grasp what unites us in depth, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecalling that the human body is a\u0026nbsp;significant\u0026nbsp;fragment of the cosmos.\u003c\/span\u003e”\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":51763453624584,"sku":"SKU-UNAUTREMONDE-JULIETTEAGNEL-48","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_julietteagnel_unautremonde_main.png?v=1748103175"},{"product_id":"silex-juliette-agnel","title":"Silex","description":"\u003cp data-mce-fragment=\"1\"\u003e“Nomadic homeless stones that look like nothing, simple pebbles, yet ridges, humps, roundings, slopes, craters, shades of mother-of-pearl, opal, mirrors of time” \u003cbr data-mce-fragment=\"1\"\u003e An artist's book in the form of a leporello, with poems by Léa Bismuth.\u003cbr\u003e\u003cbr\u003eProduced with the support of the Ville de l'Isle-sur-la-Sorgue.\u003cbr\u003e\u003cbr\u003eJuliette Agnel, born in 1973, is a photographer trained in the visual arts and ethno-aesthetics, influenced by the work of Jean Rouch and the stories of Victor Segalen. After years of exploration in Africa, she developed an experimental photographic practice, combining blur and randomness to evoke human memory. Her encounter with the Bardenas desert in 2016 inspired \u003cem\u003eLes Nocturnes\u003c\/em\u003e, a celestial series exhibited at Rencontres d'Arles, extended by projects such as \u003cem\u003eLa lune noire\u003c\/em\u003e. His work, focused on the links between man and landscapes (Greenland, Sudanese necropolises, prehistoric caves), was awarded the Prix Niépce in 2023. In 2024, his work will be shown at the BnF, the Jeu de Paume and the Fondation Van Gogh.\u003cbr\u003e\u003cbr\u003eFor Juliette Agnel, art is about the relationship between the real and the invisible, about an absolute that transcends us and challenges us to question the foundations of our humanity. For her, it's a question of tirelessly pursuing the same quest by observing those forces that surround us but which we don't see: \u003cmeta charset=\"utf-8\"\u003e “grasp what unites us in depth, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecalling that the human body is a\u0026nbsp;significant\u0026nbsp;fragment of the cosmos.\u003c\/span\u003e”\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992938287368,"sku":"SKU-SILEX-JULIETTEAGNEL-20","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_julietteagnel_silex_main.png?v=1748103137"},{"product_id":"collection-150-photographies-de-la-collection-bachelot-a-la-villa-medicis","title":"Collection | 150 photographies de la Collection Bachelot à la Villa Médicis","description":"\u003cp\u003e\u003cspan style=\"color: #060505;\"\u003eThis book is the second volume\u0026nbsp;about the amazing\u0026nbsp;Florence and Damien Bachelot, after \u003cem\u003eDes villes et des hommes\u003c\/em\u003e. Published on the occasion of Sam Stourdzé's exhibition at the Villa Médicis from October 2022 to January 2023, it focuses on the two great transatlantic traditions: so-called humanist French photography and early 20th-century American street photography. The presence of numerous vintage prints by Saul Leiter testifies, with the move to color, to a shift towards the second half of the century and a reversal of photographic influences.\u003cbr\u003e\u003cbr\u003eFinally, we explore the beginnings of modern reportage with Gilles Caron, up to the documentary portraits of contemporary photographers such as Laura Henno. \u003cmeta charset=\"utf-8\"\u003eA leitmotif of the collection lies in the power of these exceptional images to bear witness to a world in flux, in crisis, and grappling with constant social and moral questioning. However, the Collection does not freeze in this idea and opens above all to encounters with an artist and his work. Thus, we discover the\u0026nbsp;essential place given in the exhibition to Saul Leiter, whose production is above all a magnificent pictorial research rather than a moral plea.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eThe interview between Michel Poivert, a leading figure in the history of photography and a renowned art critic, Sam Stourdzé, director of the Villa Medici and curator of the exhibition, and Florence and Damien Bachelot, helps us understand the multiplicity of the Collection, as well as its immense artistic and humanist quality.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992949723400,"sku":"SKU-BACHELOT-MEDICIS-39-1","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_bachelot_collection_main.png?v=1748103087"},{"product_id":"des-villes-et-des-hommes-i-collection-florence-et-damien-bachelot","title":"Des villes et des hommes | Regard sur la collection Florence et Damien Bachelot","description":"\u003cp\u003eOver the past twenty years, Florence and Damien Bachelot have acquired more than 1000\u0026nbsp;photographs. Their discerning choices initially focused on works by French humanist photographers such as Brassaï, Doisneau, Cartier-Bresson… before turning toward more contemporary creations, with works by Stéphane Couturier, Thibaut Cuisset, Luc Delahaye, Véronique Ellena, Adrien Boyer, Guillaume Zuili… Their collection\u0026nbsp;rapidly expanded, in order to include images by major figures\u0026nbsp;of\u0026nbsp;American photography—Lewis Hine, Sid Grossman, Robert Frank, Ernst Haas, Bruce Davidson, Nan Goldin, Saul Leiter…—as well as British artists, notably Paul Graham, always with a guiding principle: the acquisition of vintage prints only. \u003cbr\u003e\u003cbr\u003eA dual gaze upon humanity in its urban environment. Guided by a shared interest in the real, the urban, its evolution and complexity, a significant part of their collection reflects on the place of human beings within society and the city. These are often images that revolve around metropolises, architecture, walking in the street, and the perception of modern space. This book was published on the occasion of the exhibition \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDes villes et des hommes, regard sur la collection Florence et Damien Bachelot\"\u003c\/span\u003e, curated by Françoise Docquiert (Associate Director of the Department of Visual Arts and Art Sciences at Université Paris 1 Panthéon, independent curator) and Ricardo Vazquez (Chief Heritage Curator, Director of HDA Var, the art center of the Var Department) in April 2022.\u003cbr\u003eText by Douglas Kennedy.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992982950152,"sku":"SKU-BACHELOT-34","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_bachelot_desvillesetdeshommes_main_047835b4-7bcb-460e-85ff-3ce3be78bfd5.png?v=1748101722"},{"product_id":"justice-thomas-klotz","title":"Justice","description":"\u003cp data-mce-fragment=\"1\"\u003e\"While we have many representations of justice — full of symbols, such as a scale here, the architecture of a courthouse there, or a sword further away — we have very few actual images. Isn’t it often said that justice is 'faceless'? What we lack are visions with open meanings, unusual forms, and silent speech. Descriptive fragments that aim less to define justice than to evoke its ineffable presence deep within us through a detail, an atmosphere: images that give form to an imaginary. Justice had representations; Thomas Klotz thus usefully adds images to them.\",\u0026nbsp;\u003cem data-mce-fragment=\"1\"\u003eMichel Poivert\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eAlthough photographs dealing with justice are common in the press, they remain rare in artists' books. Yet this is precisely the focus of Thomas Klotz’s work, which confirms his mastery of color in exploring \u003cem data-mce-fragment=\"1\"\u003ehis\u003c\/em\u003e vision of justice. For this is truly a work of appropriation, not a simple exposition of a system. Far from any documentary ambition, these powerful and embodied images reveal the heart and soul of the judicial world, far more than its mechanics or backstage.\u003cbr\u003e\u003cbr\u003eThe exploration of this concept unfolds through places, institutions, but also through people and stories, all captured through the visual approach that defines Thomas Klotz’s photography. His work highlights the power of color, the attention to textures, and those small details that open into narratives and fragments of life—so many clues to what justice might mean today.\u003cbr\u003e\u003cbr\u003eThe book includes a preface by Michel Poivert, and enriched by texts from\u0026nbsp;\u003cspan data-mce-fragment=\"1\"\u003eÉric Dussart, Mathieu Delahousse, Abel Quentin, Dominique Simonnot, Christophe Jamin, Laure Heinich.\u0026nbsp;\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThomas Klotz was born in 1977 in Seclin, in northern France. He lives and works in Paris. Fascinated by American colorists from an early age, he focuses on the everyday and the trivial, which take on an intriguing and unique depth under his gaze.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50992998220040,"sku":"SKU-THOMASKLOTZ-JUSTICE-45","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_thomasklotz_justice_main_91897b99-8751-4125-93d7-f9e175fd57ae.png?v=1748101663"},{"product_id":"eve-la-montagne-et-la-jeune-fille-thomas-klotz","title":"Ève, La Montagne et la jeune fille","description":"\u003cp data-mce-fragment=\"1\"\u003e\"It sounds simple, but it's about presence in places, so it's a poetry of waiting, but waiting for what?\u003cbr data-mce-fragment=\"1\"\u003e Waiting, for photos to be taken, without wondering what the point is, but just to be there, to communicate between photographer and photographed, like an exchange of mute words, photography allowing us to speak in silence, just with glances, because that's what it's always about, the gaze, of both the photographed and the photographer. Here, a father and his daughter.\u0026nbsp;» \u003cbr data-mce-fragment=\"1\"\u003e Preface by Bernard Plossu \u003cbr\u003e\u003cbr\u003e\"The images of Thomas Klotz articulate themselves, juxtapose one another like a montage. The correspondences, punctuations, and ruptures for me tell a story both familiar and mythological: a tale of the mountain and the girl. Her first glance is absorbed by this world of ours, so much bigger than herself. She prepares for an ascent. So many new things that must be left behind. And so soon. But is there no manual for that? Her gaze interrogates the lens and, behind it, her father. Which way should I go? Is there nothing written on the board? A color code perhaps? What signposts should I follow? Should I do what they tell me to do? Is that the head of the trail? She abandons herself: lost. In surprise and commotion. Lost in the empty spaces. In the overcoats, the school bags lurking in the night.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExtract from La Montagne et la jeune fille by de Sophie Letourneur\u003cbr\u003e\u003cbr\u003eThomas Klotz was born in 1977 in Seclin, northern France. He lives and works in Paris. He has always been fascinated by American colorists. He focuses his attention on the everyday, the trivial, which take on an intriguing and singular thickness under his gaze.\u003cbr\u003e\u003c\/p\u003e","brand":"EYD","offers":[{"title":"Default Title","offer_id":50993006117128,"sku":"SKU-THOMASKLOTZ-39","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_thomasklotz_eve_main_d49038e9-a793-4e18-8005-0177b3298309.png?v=1748101610"},{"product_id":"northscape-thomas-klotz","title":"Northscape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe photographer begins this project upon returning to northern France, at a time when his father is dying, as if urged to remain active. Northscape is the photographer's pictorial pilgrimage to his native region. A keen observer of detail, Thomas Klotz sets out to capture the plasticity of the most ordinary places and objects, revealing their fantastic beauty.\u003cbr\u003e\u003cbr\u003eA wall that bleeds, a corner of an awning that flies away or bushes marked by identical imprints are all simple elements that, through the frontality of the frame and the vividness of the colors, become unreal and phantasmagorical.\u003cbr data-mce-fragment=\"1\"\u003e Thomas Klotz was born in 1977 in Seclin, northern France. He lives and works in Paris. He has always been fascinated by American colorists. He focuses his attention on the everyday, the trivial, which take on an intriguing and singular thickness under his gaze.\u003cbr\u003e\u003cbr\u003eThe book is prefaced by Sonia Voss.\u003c\/p\u003e","brand":"EYD","offers":[{"title":"Default Title","offer_id":50993024794888,"sku":"SKU-THOMASKLOTZ-Northscape-38","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_thomasklotz_northscape_main_e92787aa-4c3c-4cd0-a9e3-0fd7d1566ac9.png?v=1748101567"},{"product_id":"monaco-azur-gracieux-mikiya-takimoto","title":"MONACO Azur \/ Gracieux","description":"\u003cp class=\"p1\"\u003eSome people shine thanks to their tiny existences. Certain graceful gestures captivate our hearts because they are sketched with all discretion. Man has forged the noble spirit over time, and this has caused our society to evolve. Currently, this heritage is on the verge of disappearing in the face of human desires that no longer know its limits. Even art, supposed to reflect the state of the soul, risks losing its hold on aesthetics and self-control in the face of the craze for multiple unprincipled choices made possible by the latest technologies.\u003cbr\u003e\u003cbr\u003e Yet, at such a turning point in values, the story of a country was born, in thirty-two carefully selected photographs that will never cease to be told. A moment, a space captured by a discreet gesture, only a small camera that fits in the palm of the hand could achieve it. The past, present, and future of the country are represented in these images. Located on the French Riviera, Monaco is the second smallest country in the world.\u003cbr\u003e\u003cbr\u003e Mikiya Takimoto pressed the camera button with serenity, as if in prayer. Through the succession of landscapes, a message appears, it seems to me, that tells us how to face this world and save this beautiful planet.\u003cbr\u003e Will you share this feeling with me?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Naoko Bernadette Ohta\u003c\/p\u003e","brand":"MT Gallery Inc.","offers":[{"title":"Default Title","offer_id":50993286611208,"sku":"SKU-TAKIMOTO-MONACO-30","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_mikiyatakimoto_monaco_main_2e5555ac-b003-48f6-a1ec-e8709c16701e.png?v=1748101517"},{"product_id":"la-source-frederic-stucin","title":"La source","description":"\u003cp data-mce-fragment=\"1\"\u003e“May 11, 2020. France is opening again, unaware that the country will go back into lockdown. In Paris, the store shutters roll up, the streets come alive. And yet, in gatherings, discussions, and the media, the idea that ” life is elsewhere ” keeps coming up. Elsewhere, in the country, real estate booms on houses with gardens, there is the desire to reconnect with nature, working from home with one’ s feet in the grass.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI hear these injunctions and the one, even more prevalent as it contains all the others, of the “retour à la source” (in english, ” a return to the roots “). I decide to take it literally. I am a Parisian. If I have a source, it is the Seine, this river so familiar that it merges with our streets, the same colour, the same familiar vision that we no longer notice. I decide to return to my source.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI learn that it is in a town called Source-Seine, 260 km south-east of the capital. Of course, I hear “source saine”, as in “healthy spring” – it’s so good, they must have done it on purpose. To get there, one crosses these newly conquered lands, which make the pavilion possible: the Seine-et-Marne, the Marne, the Aube, the Côte d’Or… the further you go, the more enticing the names sound.\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI want to follow this path, from Paris to the source. To photograph this nature mixed with urban which makes us dream suddenly. To make one of these trips to the vicinity to which the “plan of support to the tourist sector” incites us. To meet the inhabitants of the riverbanks, those who have come, or stayed, for the Seine, it is said that its presence soothes. With the river as a thread, to leave as an explorer of the lands of garden houses, of this desire born from the time spent in lockdown, of this Eldorado of the world after… To leave, but above all to seek nothing. \" Frédéric Stucin\u003cbr\u003e\u003cbr\u003e“We are the discreet heroes of the narratives we dream. Some evenings, when we run faster and more headlong than usual, we may even believe we are heroes in real life. So we invent exploits in our own image, we swim a little too far in the shadowy water, we dance on a shifting roof, we create splendid spectres that fade away at sunrise.” \u003cbr data-mce-fragment=\"1\"\u003e Extract from the preface by Marie Ndiaye\u003cbr\u003e\u003cbr\u003eFrédéric Stucin is a photographer. Specialized in portraits of personalities or anonymous people, especially for the press, where he also publishes reports, he leads in parallel a personal practice. His publications, Endorphine (éditions Filigranes, 2021), Only Bleeding (éditions du Bec en l’air, 2019), and Trois étoiles (catalog of the Musée Nicéphore Niépce exhibition, 2016) closely combine the exploration of reality and the imaginary. In 2020, his series “Le Décor”, made in Paris during the confinement was promoted to the Eurazeo prize. His photographs have been the subject of several exhibitions, most recently at the Villa Perochon in Niort, the Portrait(s) festival in Vichy, and the Hangar Photo Art Center in Brussels.\u003cbr\u003e\u003cbr\u003eMarie NDiaye was born in Pithiviers on June 4, 1967 to a father with Senegalese roots and a French mother. She received the Prix Femina in 2001 for her novel Rosie Carpe and the Prix Goncourt in 2009 for Trois femmes puissantes. She is one of only two living French authors in the repertoire of the Comédie Française with her play Papa doit manger. In 2009, she participated in the writing of the screenplay for Claire Denis’ film, White Material. In 2020, she was awarded the Marguerite-Yourcenar prize for the whole of her work.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50993293852936,"sku":"SKU-STUCIN-42","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_fredericstucin_lasource_main_52d74d6c-2563-4e53-a912-48dcf68c9c2b.png?v=1748101474"},{"product_id":"refettorio-37-recettes-anti-gaspi","title":"Refettorio 37 Anti-Waste Recipes ","description":"\u003cp\u003e\"Refettorio: 37 Anti-Waste Recipes\" brings together creations by several renowned chefs and artists, united by the vision of anti-waste cooking — whether prepared with leftovers from the fridge, by fully utilizing ingredients, or on a larger scale using surplus products from supermarkets and producers.\u003c\/p\u003e\n\u003cp data-end=\"892\" data-start=\"512\"\u003eThis is precisely the approach at Refettorio Paris, a community-focused restaurant located on Place de la Madeleine, where all these chefs came to cook and for whose benefit this book was created. A beautiful volume combining cuisine and photography, telling the story of a noble cause and a successful project, captured through the lens of JR, who also authored the foreword.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGhislaine Arabian [Les Petites Sorcières] ; Christophe Aribert [Maison Aribert] ; Pascal Barbot [Astrance] ; Maxime Bonnabry Duval [Refettorio] ; Massimo Bottura [Osteria Francescana] ; Sébastien Bras [Le Suquet] ; Benjamin Brial [Lutécia] ; Boris Campanella [Hôtel de Crillon] ; Mauro Colagreco [Mirazur] ; Fabrizio Cosso [Eataly Paris Marais] ; Alexandre et Céline Couillon [La Marine] ; Sonia Ezgulian [Les Sardines filantes] ; Solène Gallard [Mingway] ; Guillaume Goupil [Le Baudelaire] ; Bertrand Grébaut [Septime] ; Cédric Grolet [Cédric Grolet Opéra] ; Jean Imbert [Mamie] ; Flavia Vanessa Isla [Patagonia sucrée] ; JR ; Pierre Hermé [Pierre Hermé] ; Guy Krenzer [Lenôtre] ; Alexandre Maigrot [Ernest] ; Grégory Marchand [Frenchie] ; Romain Meder [Plaza Athénée] ; Tabata et Ludovic Mey [Les Apothicaires] ; Olivier Roellinger [Le Coquillage] ; Anna Trattles et Alice Quillet [Ten Belles Bread] ; Régis Marcon [Régis \u0026amp; Jacques Marcon] ; Alessandra Montagne [Tempero] ; Prune Nourry ; Apollonia Poilâne [POILÂNE] ; Mama Rebecca et Mama Marina [Meet My Mama] ; Romain Roudeau [Juveniles] ; Harouna Sow [Refugee Food Festival] ; Michel et César Troisgros [Le Bois sans Feuilles] ; Agnès et Rosalie Varda ; Loïc Villemin [Toya]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Blue cover","offer_id":51764797014280,"sku":"SKU-REFETTORIO-LIVRE-BLEU-42","price":42.0,"currency_code":"EUR","in_stock":true},{"title":"White cover","offer_id":51771348844808,"sku":"SKU-REFETTORIO-LIVRE-BLANC-42","price":42.0,"currency_code":"EUR","in_stock":true},{"title":"Black cover","offer_id":51771348877576,"sku":"SKU-REFETTORIO-LIVRE-NOIR-42","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_refettorio_main_02_41e30f37-2bd5-4479-bf08-d310cf6e66f7.png?v=1748101433"},{"product_id":"tehachapi-jr","title":"Tehachapi","description":"\u003cp\u003eIn October 2019, French artist JR created a unique work of art inside a level 4 maximum-security prison, the California Correctional Institution at Tehachapi.\u003cbr\u003e\u003cbr\u003eJR and his team collected testimonies, stories, and portraits of formerly and currently incarcerated individuals, focusing on their journeys of rehabilitation, as well as accounts from correctional staff. With the help of the incarcerated citizens themselves, these portraits were pasted onto the prison’s recreational yard.\u003cbr\u003e\u003cbr\u003eThe collage—comprising 338 strips of paper—was completed in just a few hours thanks to the active participation of everyone involved in the project, and especially due to the collaboration between the incarcerated individuals, prison staff, and JR’s team. A drone captured the final aerial view of the installation.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50993313284360,"sku":"SKU-JR-TEHACHAPI-46","price":46.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_jr_tehachapi_main_38357f4f-2d91-4925-849c-e3fc91673177.png?v=1748101391"},{"product_id":"guillaume-zuili","title":"Memory Lane","description":"\u003cp\u003e“I discovered Corbeil in 2017, where the L'Œil Urbain festival was presenting my work \u003cem\u003eSmoke and Mirrors\u003c\/em\u003e ,” begins Guillaume Zuili. “When I arrived in the city, the unique architecture immediately struck me. Industrial buildings from the beginning of the last century were there, right in the city center. They were magnificent. The city was built around the Moulins de Corbeil. That's how the idea of working on industrial heritage was born. I started from the center with the Moulin as a cathedral, then I expanded my circle to other industries that have left their mark on this city. Notably \u003cem\u003eHelio,\u003c\/em\u003e which is a gigantic printing works. And then others that lie dormant before disappearing. Or that have disappeared and whose traces are still there.”\u003cbr\u003e\u003cbr\u003eFor his second collection published by Maison CF, Guillaume Zuili tackles a new urban territory, that of Corbeil-Essonnes. At the invitation of the L'Œil urbain festival, which brings together the biggest names in contemporary photography every spring, he is taking up residence for the year 2019. Using a view camera, a medium-format camera, and an Olympus Pen, he creates protean images, surrealist interpretations of an urban heritage marking the geography of a territory. The forms follow one another and link together throughout the pages, unfolding a cinematic story with a thriller atmosphere. Two texts, a preface and postface, are written by Christine Ollier, an art historian who has presented Guillaume Zuili's work several times, as well as Julie Corteville, chief heritage curator and director of the Île-de-France Heritage and Inventory Department.\u003cbr\u003e\u003cbr\u003eGuillaume Zuili (born 1965) is a French photographer from the VU' agency, based in Los Angeles. His work explores European cities and the American myth through experimental film techniques (double exposure, Chromoskedasic, Lith), oscillating between documentary and abstraction. His series \u003cem\u003eLA Chromos\u003c\/em\u003e , \u003cem\u003eSmoke and Mirrors\u003c\/em\u003e and \u003cem\u003eUrban Jungle\u003c\/em\u003e reveal a unique and timeless aesthetic.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50993314627848,"sku":"SKU-ZUILI-MEMORYLANE36","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_guillaumezuili_memorylane_main_9a6f64be-f383-46c3-a769-8fae3350d32a.png?v=1748101354"},{"product_id":"smoke-mirrors-guillaume-zuili","title":"Smoke \u0026 Mirrors","description":"\u003cp\u003e\"To impose these complex feelings that combine contemplation and deciphering, understanding and reverie, Guillaume Zuili resorts to what is most photographic in the practice of images: the print. A salutary reminder that photography only exists in virtual, even ephemeral form – the one that apparently wins today – if it does not materialize, if it does not become an object, even if it is made of paper and fragile. He reminds us, in fact, that these sheets, learned and refined, fruits of artisanal know-how and perpetual reinterpretations, vibrate with the often uncontrollable tones of the toning, move by the way in which the silver grains couple with the weaves of the paper, affirming both the velvety depth of the blacks and the shades of gray that modulate and caress the forms. This is where a perception of time is inscribed, sometimes amused under its charming exterior, which takes distance and sends us back to the dream of palm trees and pin-ups, motifs that pop art summoned and that advertising diverts. Time stopped and at the same time suspended between yesterday, which neither the photographer nor what he depicts knew, and today, which he uses to send us back to a universe that we do not know how to see, that he makes exist, which is certainly an illusion, but which presents itself as obvious as he knows how to convince us by evoking memories, a peaceful feeling of time, a possible escape into the dream that softens the decor and opens up a possible space for us. All served by matter, materials, sensualities laid down and inscribed in gelatin, the leaf, the successive layers worked by light.\", excerpt from the preface by Christian Caujolle\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50993332289800,"sku":"SKU-ZUILI-SMOKE","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_guillaumezuili_smokenmirrors_main_064fa522-9652-4da0-be36-820f49d3767d.png?v=1748101301"},{"product_id":"true-west-anne-rearick","title":"True West","description":"\u003cp\u003e\" Born in Idaho in 1960, the American artist has dedicated a work to her home state, featuring photographs taken between 1988 and 2019. Working in black and white with a 40×50 format, Anne Rearick evokes the epic of a pioneering America, a land enamored with wide-open spaces and fundamental freedom. This America is embodied by her family across several generations, notably represented here by her grandfather—a great charmer, an immediate presence like that of an irresistible actor. \u0026nbsp;\u003cbr\u003e\u003cbr\u003eTrue West, accompanied by the artist’s handwritten text resembling pages torn from a personal diary, begins by recalling a heritage: roadside graves, a church without a door like a stage set, the dust of departure. [...] To preserve the wild within the civilized—that could be Anne Rearick’s poetic motto. \"\u003cbr\u003eFabien Ribery, \u003cem\u003eL’Intervalle\u003c\/em\u003e, November 15, 2019 \u0026nbsp;\u003cbr\u003e\u003cbr\u003eAnne Rearick was born in the United States in 1960. She follows in the great tradition of humanist documentary photographers such as Dorothea Lange and Diane Arbus. She works over the long term, immersing herself in the daily lives of her subjects as deeply as they allow. The beauty of her images is perfectly matched by analog black-and-white film, and the wide, square 6×6 format of her Hasselblad camera captures the finest details: the way skin textures emerge, the subtle background weave of a landscape... \u0026nbsp;\u003cbr\u003e\u003cbr\u003eThese elements compose scenes impossible to date, imbued with a timeless poetry and universal emotion. From the Basque Country to Kazakhstan, Anne Rearick regularly sets down roots to photograph what moves her most. Represented by the VU’ agency since 1992, her work appears in major international magazines, and she teaches photography and film history in the United States.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50994743378184,"sku":"SKU-REARICK-TRUEWEST-39","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_annerearick_truewest_main_88f56f7c-287c-4925-ada3-4011b80fcb72.png?v=1748101255"},{"product_id":"township-l-anne-rearick","title":"Township","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003eIn 2004, Anne Rearick set out to meet the Xhosa people, a Black community living in two townships near Cape Town. Over the course of more than ten years, she returned regularly—especially to Langa—where she forged deep and intimate bonds with its residents. It took all those years to truly grasp the reality of South African society. In the beginning, Rearick sensed the hope that followed the end of apartheid. Twenty years later, that hope has faded; the society is disillusioned, worn down by economic segregation. Violence, murder, alcoholism, and illness are part of daily life in the township...\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003eAnd yet, her photographs reveal something else entirely: they capture the beauty within the everyday. \u003cbr\u003e\u003cbr\u003eWith restraint and poetry, Anne Rearick bears witness. This work was exhibited at Visa pour l’Image in Perpignan in 2014 and was awarded the Roger Pic Prize (SCAM) on that occasion. In 2016, the book—featuring a foreword by Sipho Mpongo and Philipp Prodger—was a jury favorite for the 2016 Prix Nadar.\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50994787320072,"sku":"SKU-REARICK-TOWNSHIP","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_annerearick_township_main_47cdd2bb-1bf0-430c-b19a-cca8fc6e17e3.png?v=1748101216"},{"product_id":"momentum-jr","title":"Momentum","description":"\u003cp\u003eTwelve years after allowing JR—then unknown—to paste portraits on the wall of its entrance, the Maison Européenne de la Photographie granted him a carte blanche from November 6, 2018, to February 10, 2019. This exhibition offered an opportunity to take stock of the artist’s journey and to present his work in an unprecedented way in France. JR applies a precise framework and discipline to his work. His creative approach—formal, close to mechanical—coincides with a deeply personal vision of what bodies and stories become when they come together to form History. \u003cbr\u003e\u003cbr\u003eThe book reflects this retrospective, exploring the mechanics of the image in JR’s work. Its production employs various printing techniques, binding methods, and paper transparencies. Four members of Oulipo, the group of writers and mathematicians founded in 1960 by Raymond Queneau and François Le Lionnais, contribute texts that resonate with JR’s work throughout the edition. Those who define themselves as “rats who build the labyrinth they propose to escape from” thus add an additional dimension to the book.\u003cbr\u003e\u003cbr\u003eThe volume opens with two texts by Dominique Bertinotti and Jean-Luc Monterosso. Photographs of the in situ portion were taken by Olivier Culmann (Tendance Floue).\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50994881659144,"sku":"SKU-JR-Momentum","price":64.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_JR_momentum_main_d9eb30da-66d5-45bf-89f4-fbe5b4059427.png?v=1748101171"},{"product_id":"nouveau-dementi-de-la-mission-spatiale-viking-4-peter-mitchell","title":"Nouveau démenti de la mission spatiale Viking 4","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-start=\"87\" data-end=\"402\" data-mce-fragment=\"1\"\u003eThis series, originally exhibited at Impressions Gallery in York in 1979, was the first color photography exhibition shown in the UK. Revisited at the Rencontres d’Arles in 2017 and the Charleroi Photography Museum in 2020, \u003cem data-start=\"311\" data-end=\"359\" data-mce-fragment=\"1\"\u003eA New Refutation of the Viking 4 Space Mission\u003c\/em\u003e had never before been published as a book.\u003cbr\u003e\u003cbr\u003eBilingual, the volume reproduces all the images from the series—mainly square-format portraits of Leeds residents, captured in front of their homes or shops during the 1970s. The backdrop unfolds an astonishing Martian investigative tale: at a time when the first Viking probes were being sent into space, here a Martian probe lands in Leeds and comments on the photographs.\u003cbr\u003e\u003cbr\u003eThis book is co-published by Maison CF and RRB Publishing.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50994938970376,"sku":"SKU-MITCHELL","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_petermitchell_nouveaudementidelamissionspacialeviking4_main_1acd3e27-7b00-424f-ad00-1e2546df6c04.png?v=1748101131"},{"product_id":"presences-adrien-boyer","title":"Présences","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Obviousness is also the sign of a secret. The suggestion of an invisible presence arises when one looks at the walls that compose the second photographic opus by Adrien Boyer. But in a curious reversal, it is less what lies behind the wall than what it openly reveals that becomes an enigma. Obviousness is as mysterious on the side of the visible as it is on the side of the invisible; yet, to attempt to reveal this mystery, the wall—its \"face\" side—must express the disappearance of what once stood before it.\", Michel Poivert\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50994976981256,"sku":"SKU-BOYER-PRESENCES-40","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_adrienboyer_presences_main_2bb61c12-def8-42fd-8e6f-ed9385808d49.png?v=1748101097"},{"product_id":"presences-adrien-boyer-copie","title":"Consonances","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e“What I photograph holds no intrinsic interest in itself. There is no preexisting subject in my images. What engages me is the relationship between things. Beyond mere correspondences — or even resonances — the word ‘consonance’ suggests that elements not only respond to one another, but that they derive their meaning through mutual relation. Though I’m not a musician, I often feel as if I’m composing a kind of music with all the ‘notes’ — both formal and conceptual — that appear within my field of vision at a given moment. Suddenly, everything becomes essential, and chaos begins to sound right.”, Adrien Boyer\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50994982387976,"sku":"SKU-BOYER-CONSONANCES-40","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_adrienboyer_consonances_main_acfb3c7f-855a-4f64-a6d0-912f7f4ff0d1.png?v=1748101058"},{"product_id":"asmara-marco-barbon","title":"Asmara Dream","description":"“It might be said that Asmara is a city of three dreams. First, the dream of Italian colonists who began arriving here at the end of the 19th century with the intention of building a new Rome in Africa. Then, the dream of independence from Ethiopia, which became reality in 1993 following years of courageous confrontations and the sacrifice of human lives. Finally, the hope of those who, faced with the difficulties of the current situation, attempt to leave the country at any price, imagining a better future beyond its borders. These three dreams intertwine and weave the fate of this city, continuing to nourish its soul.”, Marco Barbon","brand":"Maison CF \/ Filigranes","offers":[{"title":"Default Title","offer_id":50995015418120,"sku":"SKU-BARBON-ASMARA-30","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_marcobarbon_asmaradream_main_95a88bb5-e48a-428c-8e7e-1fd444f7b3ff.png?v=1748101020"},{"product_id":"the-interzone-marco-barbon","title":"The Interzone ","description":"\u003cp\u003eMarco Barbon’s Tangier series retraces five years of the photographer’s immersion in a city suspended between reality and fiction. As is often the case in Barbon’s work, the notion of the border—both physical and imaginary—returns: in corners and intersections, doubt creeps in, perfectly embodying the fluid transitions that characterize his images. One no longer knows whether one is imagining, dreaming, or floating. Has the city of Tangier become a mirage, since, as in Burroughs’s Interzone, 'there is no line between \"real world\" and \"world of myth and symbol\"'? The Interzone reveals Marco Barbon’s vision of Tangier, seen through eyes cleansed of the initial fantasies born of discovery, yet still haunted by the imaginary. To elevate this edition, texts by the photographer and Jean-Christophe Bailly are printed on Sirio Pearl Gold paper, in a bilingual version.\u0026nbsp;\u003cbr\u003e\u003cbr\u003eMoving from one image to another, you say yourself, “But this is a film!” Then, as you progress between the different stages of his freeze-frames, you say “But it’s a novel!”, and yet there isn’t anything else than an astonished and patient exploration of a state of affairs, a city, such as it is, which, without striking a pose and by simply displaying its fatigue, ptolongs the resonance of its name, sending it very far into that “interzone” that is simultaneously that of its renaissance and its waning, hat of the dawning of its dreams and its collapse into itself, at ground evel or at the height of its roof”, Jean-Christophe Bailly\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50995070107912,"sku":"SKU-INTERZONE-BARBON-40","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_marcobarbon_theinterzone_main.png?v=1748100978"},{"product_id":"le-metier-de-photographe-en-afrique","title":"Le métier de photographe en Afrique ","description":"\u003cp\u003eFew in-depth books address photography on the African continent. This is precisely the aim of this project: to bring together a panel of specialists, historians, curators, and journalists, and to republish in a print edition some of the content from a pioneering website dedicated to the dissemination of photographic practices in Africa.\u0026nbsp;\u003cbr\u003e\u003cbr\u003e“Afrique in Visu\" is a participatory platform for exchanges about the photography profession in Africa, launched in 2006 in Mali by Jeanne Mercier and Baptiste de Ville d’Avray. With a hundred regular contributors (photographers, journalists, critics), it serves as a living archive and a creative laboratory focused on photographic practices in Africa. It connects image professionals from across the continent, regardless of their nationalities, affiliations, or origins, and promotes contemporary creation to facilitate the exchange of expertise around imagery. There is no ranking or any attempt to claim the existence of a history of African photography. The sole guiding principle is a territory beyond its land or maritime borders: Africa. It encompasses the stories of a continent through its photographers who seek to break free from, surpass, and subvert all the images and stereotypes associated with it.\u0026nbsp;\u003cbr\u003e\u003cbr\u003eTable of contents\u003cbr\u003e\u003cbr\u003e« Africa Is Not an Island\u0026nbsp;» introduction by\u0026nbsp;Jeanne Mercier and\u0026nbsp;Baptiste de Ville d’Avray\u003cbr\u003e\u003cbr\u003eAFRICA ON DISPLAY\u003cbr\u003eEssay by Erika Nimis « So many Photographic Histories Remain to be Written\u0026nbsp;»\u003cbr\u003eFollow-up of a series of thematic and monographic articles from the archives of\u0026nbsp;\u003cem\u003eAfrique in\u0026nbsp;visu\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eCOLLECTIVE\u0026nbsp;FICTION\u003cbr\u003eEssay by\u0026nbsp;Olivia Marsaud « Photographs and Fictions - Experimentation\u0026nbsp;»\u003cbr\u003eFollowed by a series of\u0026nbsp;thematic and monographic articles from the\u0026nbsp;archives of \"\u003cem\u003eAfrique in visu\u003c\/em\u003e\"\u003cbr\u003e\u003cbr\u003eDAY BY DAY LET ME DREAM MY FUTURE\u003cbr\u003eEssay by\u0026nbsp;Simon Njami : « From\u0026nbsp;l’Ethography to\u0026nbsp;photography »\u003cbr\u003eFollowed by a series of thematic and monographic articles from the archives of \u003cem\u003e\"Afrique in\u003c\/em\u003e \u003cem\u003evisu\u003c\/em\u003e\"\u003cbr\u003e\u003cbr\u003ePORTFOLIOS (Nicola Lo Calzo, Camille Millerand, Baudouin Mouanda)\u003cbr\u003e\u003cbr\u003eMap\u003cbr\u003eConclusion by François Cheval\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50995135873288,"sku":"SKU-AFRIQUEINVISU-38","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_lemetierdephotographeenafrique_main_67526e5f-3e8b-423a-9e7a-69b3448bcb10.png?v=1748100806"},{"product_id":"belonging-l-munem-wasif","title":"Belonging","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-end=\"538\" data-start=\"111\"\u003e\"Belonging\" echoes old Dhaka (Bangladesh), offering a nostalgic look at this city steeped in Bangladeshi tradition. Gently and deeply, Munem Wasif’s black-and-white photographs reveal lives marked by years and memories, as well as the constant motion of everyday life. It is the gaze of a photographer faithful to his country, reflecting the emotion of this old Dhaka that has already captivated more than one photographer.\u003cbr\u003e\u003cbr\u003eFor ten years, Munem Wasif wandered its alleys, riverbanks, and shops, pushing open doors to uncover the stories of families and solitary individuals: ten years necessary to capture in a book the essence of the spirit that characterizes old Dhaka.\u003cbr\u003e\u003cbr\u003eThe afterword, written by Christian Caujolle, traces the artist’s journey and thematic path, always deeply rooted in his native country.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50995182829832,"sku":"SKU-WASIF-BELONGING-36","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_munemwasif_belonging_main_9bdabadc-08ec-4508-8d6a-3408530b5027.png?v=1748100765"},{"product_id":"in-situ-dans-les-coulisses-de-l-opera-de-paris","title":"In situ, behind the scenes at the Paris Opera ","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003eThis striking and beautifully crafted volume offers an original vision of the Paris Opera Ballet through the lens of Pierre-Elie de Pibrac. A first section of black-and-white photographs recounts the daily life of the \u003cem\u003ecorps de ballet\u003c\/em\u003e—from rehearsal studios to the stage—over the course of an entire season.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eIn parallel with his photographic approach, some of the most prominent names in dance speak in turn, offering a rare and timeless testimony of life within the Palais Garnier: Aurélie Dupont, Nicolas Le Riche, Eleonora Abbagnato, Benjamin Millepied, \u003cspan data-mce-fragment=\"1\"\u003eArnaud Dreyfus, Isabelle Ciaravola, Amandine Albisson, but also\u0026nbsp;Gilles Djéraouane and the collector\u0026nbsp;Olivier Ponsoye.\u003c\/span\u003e\u0026nbsp;\u003cbr\u003e\u003cbr\u003eThe book concludes with two purely artistic color series, through which the photographer sought to translate the emotion he felt\u003cspan class=\"apple-converted-space\" data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ein situ\u003c\/em\u003e. The quality of the printing, the cover finish, the feel of the paper, and the ribbon bookmark will delight lovers of photography and dance alike—or simply those who cherish Paris and wish to discover the secrets of the Palais Garnier.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50995205177608,"sku":"SKU-INSITU-DEPIBRAC","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_pierreeliedepibrac_insitu_main_0081f44d-6a6e-479b-8834-12fea12fa8da.png?v=1748100706"},{"product_id":"belfast-gilles-favier","title":"Belfast","description":"\u003cp\u003e\"I subscribe to Reporter-Objectif, a monthly photography magazine. It explains how to become a war correspondent and gives a lot of very useful practical advice such as: how to choose the right bag, the right camera, the right shoes... The most affordable conflict, according to the magazine, the cheapest for apprentice photographers like me, is that of Northern Ireland. You have to take the bus from La Madeleine in the evening around 10 p.m., then a boat from Calais in the middle of the night, a train to London where you change stations for another train to Stranraer in Scotland, and finally the ferry to Larne, before a last bus to Belfast. Two days of rainy travel guaranteed, a crossing that is never convenient, but an unbeatable price for the time...\"\u003cbr\u003e\u003cbr\u003eThis is how Gilles Favier's collection of photographs of Belfast opens in 1981. Undoubtedly one of the most talented photographers of his generation, he obsessively returns to this territory year after year, right up to the present day, where Ireland is back in the news with Brexit. This book also follows the evolution of its author's photographic style, and the transition from black and white to color.\u003cbr\u003e\u003cbr\u003e\"The ambition, expressed in a somewhat provocative way in its assumed nonchalance, could seem simply personal (a young man in search of adrenaline in contact with History in the making), if it did not lead, almost forty years later, to a corpus of exceptional, difficult and profoundly human images, bearing witness to the dramas and joys (sometimes) of a combative but wounded population. […] The tone is dark, like the whole of a book full of tears and rage, at a time when identities are rearming, and when the effort to create civilization proves impossible for many.\", Fabien Ribery, L'Intervalle, June 2, 2018\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":50995233063176,"sku":"SKU-FAVIER-BELFAST-39","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_gillesfavier_belfast_main_16d613d6-3db8-43ee-830f-e126c15f06b1.png?v=1748100656"},{"product_id":"carte-cadeau-de-test","title":"Carte Cadeau de Test","description":"\u003cp\u003eCeci est une fausse carte de test\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"10,00 €","offer_id":51541975171336,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true},{"title":"25,00 €","offer_id":51541975204104,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true},{"title":"50,00 €","offer_id":51541975236872,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true},{"title":"100,00 €","offer_id":51541975269640,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_adrienboyer_presences_main_2bb61c12-def8-42fd-8e6f-ed9385808d49.png?v=1748101097"},{"product_id":"refettorio-le-bento","title":"The Refettorio lunch box","description":"\u003cp class=\"ds-markdown-paragraph\"\u003eLed by chef Massimo Bottura and the Food for Soul association, Refettorio Paris is reinventing food aid by offering gourmet meals to people in need, prepared from unsold food. Social justice artist JR has left his mark on the project by decorating the walls with his poignant works, reminding us that dignity also comes through beauty and art.\u003cbr\u003e\u003cbr\u003eMore than a solidarity restaurant, Refettorio is a space for encounter and rebirth, where culinary excellence, artistic gesture, and inclusion come together to restore hope.\u003cbr\u003e\u003cbr\u003eDesigned by JR and the French brand Monbento, the Refettorio-colored bento box features a unique design adorned with the artist's works.\u003c\/p\u003e\n\u003cdiv class=\"ds-flex\" style=\"margin-top: 12px; height: 20px; margin-bottom: 20px; align-items: center; gap: 10px;\"\u003e\n\u003cdiv class=\"ds-flex _965abe9\" style=\"align-items: center; gap: 16px;\"\u003e\n\u003cdiv tabindex=\"0\" class=\"ds-icon-button\" style=\"--ds-icon-button-text-color: #909090; --ds-icon-button-size: 20px;\"\u003e\n\u003cdiv class=\"ds-icon\" style=\"font-size: 20px; width: 20px; height: 20px;\"\u003e\u003csvg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ds-icon\" style=\"font-size: 20px; width: 20px; height: 20px; opacity: 1;\"\u003e\u003csvg xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003cdefs\u003e\u003cclipPath id=\"clip1258_20811\"\u003e\u003c\/clipPath\u003e\u003c\/defs\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv class=\"ds-icon\" style=\"font-size: 20px; width: 20px; height: 20px;\"\u003e\u003csvg width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv class=\"ds-icon\" style=\"font-size: 20px; width: 20px; height: 20px;\"\u003e\u003csvg width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":51609612517640,"sku":"SKU-REFETTORIO-BENTO","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_objets_refettorio_bentobox_main.png?v=1749042641"},{"product_id":"paris-noir","title":"Paris Noir  | Exhibition catalog","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBefore the independence movements in Africa and the Civil Rights Movement in the United States, post-war Paris became a platform for resistance and emancipation, where intellectual figures such as James Baldwin, Léopold Sédar Senghor, Aimé and Suzanne Césaire, and Édouard Glissant paved the way for future postcolonial and decolonial thought.\u003cbr\u003e\u003cbr\u003eBringing together African, African American, Latin American, and Caribbean studies, this catalog serves as a living map of ongoing research-an attempt to chart the remarkable intellectual, artistic, and literary postcolonial history of Paris. The contributors explore circulations, networks, and friendships, revealing the city as a space of both belonging and non-belonging, encounters and isolation, visibility and invisibility.\u003cbr\u003e\u003cbr\u003eThey engage with concepts such as Black humanism, Négritude, and cosmopolitan and transatlantic modernisms through the lens of postcolonial and decolonial studies, queer and feminist theories, and Afro-diasporic identity politics.\u003cbr\u003e\u003cbr\u003eRichly illustrated with numerous previously unpublished reproductions of artworks, the catalog highlights a wide array of artists and writers across disciplines-from painting and sculpture to music, cinema, and literature-through a new transcontinental approach.\u003c\/p\u003e","brand":"Éditions Centre Pompidou","offers":[{"title":"Default Title","offer_id":51618271494408,"sku":"SKU-PARISNOIR-49","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_centrepompidou_parisnoir_main.png?v=1749125477"},{"product_id":"martin-parr-phaidon","title":"Martin Parr Retrospective","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-end=\"598\" data-start=\"70\"\u003eThe sharp observation, wit, and vibrant color of Martin Parr’s work since the mid-1980s have made him one of the most renowned and widely loved contemporary photographers, as well as a prominent member of the prestigious Magnum agency. The only comprehensive monograph of Martin Parr’s entire career to date, this second edition has been expanded with new photographs and a previously unpublished chapter focusing on his most recent photographic work, as well as his activities as a filmmaker, curator, collector, and publisher.\u003cbr\u003e\u003cbr\u003eThe book was published to coincide with his retrospective at the Barbican in London, an exhibition that went on to tour more than ten venues worldwide.\u003c\/p\u003e\n\u003cbr\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":51618968142088,"sku":"SKU-PARR-RETRO-79,95","price":79.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_martinparr_phaidon_main.png?v=1749125529"},{"product_id":"martin-parr-fashion-faux-parr","title":"Fashion Faux Parr","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-start=\"70\" data-end=\"469\" data-mce-fragment=\"1\"\u003eFashion Faux Parr presents, for the first time in a single volume, Martin Parr’s collection of fashion photography. Featuring over 250 color images, many previously unpublished, it explores a wide range of work: editorial collaborations with prestigious magazines and fashion houses such as Vogue, Balenciaga, and Gucci; candid backstage shots at major events; and portraits of industry icons.\u003cbr\u003e\u003cbr\u003eTwo essays by influential figures in the field, Patrick Grant and Tabitha Simmons, shed light on Martin Parr’s unique perspective on the fashion world and place it within a broader context. This book is the only one entirely devoted to Martin Parr’s highly original approach in this domain, blending commissioned and personal photos, as well as reproductions of his reports published in \u003cem data-start=\"858\" data-end=\"865\" data-mce-fragment=\"1\"\u003eVogue\u003c\/em\u003e and other international fashion magazines.\u003cbr\u003e\u003cbr\u003eMartin Parr (born 1952) is an iconic British photographer and a member of Magnum Photos since 1994, renowned for his satirical view of contemporary societies. His distinctive style—saturated colors, harsh flashes, and tight framing—humorously depicts social clichés and the paradoxes of global consumerism. Among his major projects are \u003cem data-start=\"1246\" data-end=\"1263\" data-mce-fragment=\"1\"\u003eThe Last Resort\u003c\/em\u003e (1986), focusing on British mass tourism, and \u003cem data-start=\"1310\" data-end=\"1318\" data-mce-fragment=\"1\"\u003eLuxury\u003c\/em\u003e (2019), critiquing opulence, cementing his reputation as a sharp, mischievous observer of our times.\u0026nbsp;\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":51618997305608,"sku":"SKU-FASHION-PARR-49","price":49.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_martinparr_fashionfauxparr_main.png?v=1749125591"},{"product_id":"martin-parr-small-world","title":"Small World","description":"\u003cdiv class=\"block block-text\"\u003e\n\n\u003cp\u003eFirst published in 1996, \u003cem\u003eSmall World\u003c\/em\u003e is one of Martin Parr's most popular and important books. This revised and expanded edition includes over 80 photographs and features many of Martin Parr's most iconic images.\u003cbr\u003e\u003cbr\u003e This is a biting and very funny satire in which Martin Parr examines tourism around the world, exposing the increasingly homogenous \"global culture\" where, in the search for different cultures, those same cultures are destroyed. In a world of \"carbon footprints,\" global warming, and the climate crisis, the questions Martin Parr raised nearly thirty years ago, when the book was first published, are even more relevant today.\u003cbr\u003e\u003cbr\u003e While Martin Parr's larger-than-life troupe of tourists appears to be willing participants in a pervasive consumer culture, they are also bewildered victims, at the mercy of larger social forces and trapped by their own insatiable thirst for spectacle. The citizens of Small World become a symbol of the thriving freedoms of Western society, declaring their power and right to travel, choose, and consume.\u003cbr\u003e\u003cbr\u003e A member of Magnum Photos, Martin Parr is one of the most renowned photographers in the world today. He has published countless books and his work has been exhibited and published worldwide.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Dewi Lewis Publishing","offers":[{"title":"Default Title","offer_id":51619011100936,"sku":"SKU-SMALL-PARR-50","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_martinparr_smallworld_maincopie.png?v=1772725348"},{"product_id":"martin-parr-grand-paris","title":"Grand Paris","description":"\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\n\u003cp data-end=\"540\" data-start=\"91\"\u003eIn the form of an actual map of Paris, Martin Parr invites us to follow him through the city.\u003cbr data-end=\"194\" data-start=\"191\"\u003eOver the course of three years, at the request of the European House of Photography\u0026nbsp;(EHP), Martin Parr turned his lens toward Parisians and Paris itself—photographing the Champs-Élysées, tourists, Bastille Day celebrations, fashion shows, the Paris Air Show at Le Bourget, Paris Plages, museums, art fairs, the Agricultural Show, and more.\u003cbr\u003e\u003cbr\u003eThe result is a collection of around forty previously unpublished images, along with a few essential earlier shots, that together capture the spirit of everyday life and deliver a vivid slice of Parisian atmosphere. All photographs are in color.\u003cbr\u003e\u003cbr\u003eMartin Parr (born 1952) is an iconic British photographer and a Magnum Photos member since 1994, renowned for his satirical take on contemporary societies. His distinctive style—saturated colors, harsh flash, and tight framing—humorously exposes social clichés and the contradictions of global consumer culture. Major projects such as \u003cem data-end=\"1145\" data-start=\"1128\"\u003eThe Last Resort\u003c\/em\u003e (1986), focusing on British mass tourism, and \u003cem data-end=\"1200\" data-start=\"1192\"\u003eLuxury\u003c\/em\u003e (2009), critiquing excess and affluence, have cemented his reputation as a sharp, mischievous observer of our times.\u003c\/p\u003e","brand":"Maison CF","offers":[{"title":"Default Title","offer_id":51619022766344,"sku":"SKU-PARR-PARIS-35","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_martinparr_grandparis_main.png?v=1749125757"},{"product_id":"carolle-benitah-photos-souvenirs","title":"Photos Souvenirs ","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003eCarolle Bénitah (1965–2024), who worked for ten years as a fashion designer before turning to photography in 2001, incorporates the art of sewing and beading into her photographs.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003eThe series\u003cspan class=\"apple-converted-space\" data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003ePhotos Souvenirs\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"apple-converted-space\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003eexplores the memories of her Moroccan childhood and adolescence by reworking and threading old family snapshots. In what the artist describes as \"excavations,\" photos are unearthed from albums and shoeboxes, classified, scanned, transposed onto new paper, and finally hand beaded and embroidered by the artist. \u003cbr\u003e\u003cbr\u003eThis final step, accomplished with red, black, or gold thread and wire and glass beads – chosen for their shine and delicacy – is a revelatory act for the artist: \"To embroider my photograph, I make holes in the paper. With each stitch, I stick the needle through the paper. Each hole is a putting to death of my demons. It is like an exorcism. I stab the paper until I don't hurt anymore.\" \u003cbr\u003e\u003cbr\u003eCarolle Bénitah's work is part of notable public and private art collections, such as the Bibliothèque Nationale de France, Museum of Fine Arts, Houston. Among other venues,\u003cspan class=\"apple-converted-space\" data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003ePhotos Souvenirs\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"apple-converted-space\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003ewas exhibited at Rose Gallery, Santa Monica, in 2015.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Kehrer Verlag","offers":[{"title":"Default Title","offer_id":51619029385480,"sku":"SKU-BENITAH-PHOTOSSOUVENIRS-30","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_carollebenitah_photossouvenirs_main.png?v=1749125814"},{"product_id":"william-melvin-kelley-jazz-a-lame","title":"A different drummer","description":"\u003cp\u003eJune, 1957. One hot afternoon, in a backwater town in the American South, a young black farmer named Tucker Caliban throws salt on his field, shoots his horse and livestock, sets fire to his house and departs the state. And thereafter, the entire African-American population leave with him.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe reaction to this mass exodus comes from the white townsfolk who remain. Every one of whom - whether male or female, young or old, liberal or conservative, bigoted or sympathetic - is grappling with, and attempting to explain, this spontaneous rejection of subordination.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eAs powerful today as it was upon its first publication in 1962, William Melvin Kelley's\u0026nbsp;\u003cem\u003eA Different Drummer\u003c\/em\u003e is a provocative and prescient triumph of satire and spirit.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTranslation (to\u0026nbsp;\u003c\/em\u003e\u003cem\u003eFrench) by Lisa\u003c\/em\u003e \u003cem\u003eRosenbaum\u0026nbsp;\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"La Croisée","offers":[{"title":"Default Title","offer_id":51619047080200,"sku":"SKU-UNAUTRETAMBOUR-WMK","price":20.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/5471\/3608\/files\/maisoncf_williammelvinkelley_unautretambour_main.png?v=1749125925"}],"url":"https:\/\/checkout.maisoncf.fr\/en\/collections\/all.oembed?page=8","provider":"Maison CF","version":"1.0","type":"link"}